Little Bridge in the Woods
egg tempera
$4000
6 Spoons 12 Conjure
egg tempera
$3500.

Field Boss
egg tempera
$3500
Shells, Spoons, Ribbon
egg tempera
$4000.
       
     
Low Tide-Delaps Cove
watercolour
$3200 Framed

North Mountain Stream
watercolour
$3200. framed
Good Friday
watercolour
$3200. framed
In The Ravine
watercolour
$3200 framed


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Tom Forrestall

“I draw to fill my head and I paint to empty it.”

Well-known Canadian painter Tom Forrestall was born in the Annapolis Valley of Nova Scotia in 1936. In 1954 he was awarded an entrance scholarship to the Fine Arts Faculty at Mount Allison University from which he graduated in 1958. Since that time, he has produced works which have exhibited in major galleries throughout Canada, the United States and Europe. He has been the recipient of many prestigious awards and received honorary doctorates from King’s College in Nova Scotia and Mount Allison University in New Brunswick as well as the Order of Canada in 1986. His works are found in major collections of public galleries, corporations and private collections. He was commissioned to paint a portrait of the Trudeau children as a retirement gift to Pierre Elliot Trudeau.

Dr. Nick Webb, author of “Returning the Favour-Vision for Vision” an examination of the work of Tom Forrestall states, “His paintings are perhaps real in the same way that the Maritimes are real. Paris, London, and New York may be cultural centres but these are constructed realities. This is not to say that Tom wishes to be seen as a regional painter. Indeed he would hope that the truths of his paintings will be recognized as analogous to those of many cultures other than his own. But, in Tom’s words, ‘my painting style suits my isolation.’” Tom’s paintings range in size from tiny miniature to mural scale panels, his ideas range from comments on Nova Scotia life to more universal metaphysical themes.

The miniature egg-tempera paintings have always held a fascination for Forrestall. “I’ve done them ever since I was a youngster. If you take an eye or the eye of a needle or a flower and make it bigger, you open up a whole new world that people don’t see.” Forrestall finds his sketchbooks are where ideas are born and incubated. Tom puts a great deal of emphasis on this process of drawing. He says, “I would advocate notebooks, sketchbooks to be used constantly by art students to develop it as a lifetime habit. In one’s notebooks you can cut loose with your wildest dreams and ideas as well as the sane ones and in so doing develop and clarify, with a sharp and clear vision, one’s outlook toward their art.”